Years ago, when I first started playing around with the new models, I thought their messy, organic, stochastic qualities could be the key that unlocked whole new categories of gameplay. The story I told myself was that traditional video games were overly “mechanical” — they relied on brittle, deterministic logic and formulaic “lock-in-key” behavior. I thought that, if we embraced the psychedelic weirdness of these new models, we would discover a new kind of dream logic that would support wild new kinds of surreal game experiences. I think I was wrong.
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No shade to brilliant director James Whale, whose 1935 Universal sequel The Bride of Frankenstein is both exhilarating and cheekily queer. But — as Gyllenhaal has repeated frequently on The Bride!'s press tour — his titular monstress never speaks a word in her few short minutes of screen time. Still, as that original Bride, Elsa Lanchester made this she-beast an instantly compelling marvel who has become truly iconic, an intoxicating mix of high femme and the horrific.
Платон Щукин (Редактор отдела «Экономика»)
Во время допроса подозреваемый признался, что ему не хватает дохода от работы в мототакси на обеспечение возлюбленных. Проверка показала, что до этого он совершал аналогичное преступление в районе Нанг Лоенг.