That's certainly part of it, yes. But I think much more importantly, dreaming big is a muscle. You have to exercise it from time to time. Each time I come up with a grand vision and sink dozens to hundreds of hours into it, only to walk away unfinished, I learn a bit more about how to make a dream become real.
There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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Тренер «Балтики» связал отмену гола своей команды в матче с «Зенитом» с юбилеем СемакаТренер «Балтики»: У Семака сегодня день рождения, ему преподнесли подарок